False Profit: A Mockumentary Indie Film about the Financial Crisis, the Bailout, and Occupy Wall Street

“Finally,” CNBC declared about the mockumentary False Profit. “A comedy movie about the financial crisis.” I met one of the producers on this film, Dan Abrams, because we’d both been fans of and guests on a podcast called asymco. It’s host is Horace Dediu and Horace studies Apple and its competitors. It’s an example of the ways in which stories, digital media, and Apple are coming together for me. Dan’s current project is a mockumentary called False Profit, and it’s an indie film project in that he is seeking his own financing, partially done through a website called Kickstarter. To read more about that and potentially help fund the project (and pick up some swag in the process) you can click here.

William Torgerson Dan Abrams False Profit asymco Horace Dediu

False Profit from Kickstarter

When I asked Dan about his process for writing the story for False Profit, he said he wrote collaboratively, something that comes from his connections to the Second City comedy theater. He talked about a way of writing (and maybe it’s an improv technique too) called the “Yes And” method. I couldn’t figure out what he was saying on the podcast until I later saw it in writing. His example of the technique went something like this:

“It’s raining frogs.”

As the fellow writer, I am to accept that it is raining by thinking yes and and then going with it. “Finally,” I might say, “we’ve been having a terrible drought of frogs this summer.”

On the audio podcast, Dan and I debated the social merits of Will Ferrell movies. I thought mostly funny but also usually just silly and maybe even homophobic, and Dan mounted a satire-themed defense. From there, we discussed the Bailout, Chekhov, George Bush, and whether or not Republicans and Democrats alike might enjoy the film False Profit.

Dan is using Kickstarter to help finance his film and he explained how that works. I asked about Vimeo or YouTube for the sort of work I’m doing, and I had a lot of questions about copyright when it comes to news footage, the legal contracts in securing images and music, and all sorts of questions when it comes to film festivals and indie film distribution.

If you take the time to give the podcast a listen, I hope you’ll help me learn about some of this. I’m almost done with my documentary film For the Love of Books and I’m sensing that there’s more work ahead than completed when it comes to actually getting the film in front of audiences to where they can view it.

On iTunes, the podcast is called the “Read, Write, and Teach Digital Book Club.” If you look down the right side of this page, you can click on the file for download. I’d love to just have it ready for streaming play, maybe one of you can tell me how to set that up. Is it possible to do it while paying to go ad free on WordPress or do I need to run my own site? Thanks in advance for the help!

Pulpwood Queens May Bonus Book Club Selection

Thanks to Kathy Patrick for choosing Love on the Big Screen as a Pulpwood Queen May Bonus Book Club selection. It’s been great getting to know so many of the book club members. You are all passionate readers with big hearts, and I’m still holding onto all those hopeful vibes I picked up from you when it comes to your enthusiasm for literacy. First, I made you all a special video greeting that also previews some of the great pictures taken in Jefferson, Texas by Brooklyn-based photographer Natalie Brasington. Click on the video below to watch:

I’m also at work on a documentary film about my visit to Texas last January for Girlfriend Weekend. I’m calling it For the Love of Books, something that just popped into my head near the end of my weekend after watching everyone stuff their extra suitcases with books and as I saw book group after book group using literacy to help others. Yes, you ladies–and a few good men–have fun, but your devotion to literacy and to caring about people is what really inspired me.

If you do read Love on the Big Screen, you can find some book club discussion questions here.  It might be fun to see what you think of this teacher’s idea about conversation starters. Also, if you glance over to the right of this page, you’ll see that I’m selling some extra copies of the novel that have accumulated at my house. Sometimes when I do a conference or a book festival, too many books are ordered and when those go unsold, they get returned to the publisher. Since the burden on an indie press can get pretty tough, I’ve purchased some of these copies.  If you’re interested, you can purchase the book here through Pay Pal, I’ll write you a big ole thank you note inside the book, and then ship it off to you. I hope it’s okay to trouble you with mentioning that possibility. The book is available through the usual channels  including Kindle, Nook, and iPad.

I’ve already made plans to return to Jefferson next year with my Midwestern Gothic novel entitled Horseshoe.  For those of you who read Flannery O’Connor, I hope you’ll see some of the ways her “Misfit” fiction has influenced my writing. I’m also going to join those of you who are planning to come with Kathy to NYC this June. You can read more about the trip here.   Brooke Ivey is doing a lot of the planning, and I just found out I get to lead the charge into Strand Books, a store that claims over 18 miles of titles. I don’t really know what they mean by that, but I’ve been in the store and it takes a marathoner’s stamina to make it through even one of the floors.  By the way, Brooke’s mother Anita is a Pulpwood Queen!

I’m happy to interact with individual chapters of the Pulpwood Queens in lots of ways including perhaps a Skype visit or a special video that answers questions readers might have. I’m a native Indiana Hoosier, and so like David Letterman, perhaps I could do my own sort of version of reader mail. With another shot from Natalie, here’s to Texas and the Pulpwood Queens:

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photograph by Natalie Brasington

You can connect on Twitter here and Facebook here.

Thanks for reading, and I look forward to being in touch.

Writing, Feedback, and Film Editing

Thanks to Mrs. T and Izzy for giving me lots of space and quiet to work today.  I met the daily 800 word quota I set for myself when I’m working on a novel.  Lately, it’s been more like 800 words four days a week.

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Pulpwood Queens Favor Safari Print
photo by Natalie Brasington

I followed up my writing by meeting another daily quota: I read seven student papers. At that rate, I’ll have them done in seven days, which would put me a day ahead of schedule. This semester I’ve spaced out my face to face classes’ assignments so they come in at a different time than the writing of the online students.

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This Banner Blew Down After I filmed it
(I didn't steal it)

I spent the whole rest of my day doing color correction to the Girlfriend Weekend “For the Love of Books” documentary. To be truthful, rather than call it color correction, I should probably call it “color improvement.” When I’d do an adjustment, it would take a while for Final Cut Pro to render the change, and while it was “working,” I watched videos from NYU’s “Media Talks.” The more I learn about their master’s degree in publishing the more I’m impressed by it.

We used my kids' puzzle map to
illustrate my trip to Jefferson, Texas

I should note that my wife Megan made the little airplane in the picture.

There are some good videos related to the book business on the NYU site here.